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Thirty Three Art Sale | Wednesday 15th June 2016

4/6/2016

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Thirty Three Art Sale
Bordean House
Langrish (nr Petersfield)
Hampshire
GU32 1EP United Kingdom

Wednesday 15th June 2016
6pm to 9pm

I am showing one of my paintings at this Art Sale on 15th June.
Blueprint Series - The Pantheon, Rome
75 x 45 cm
Acrylic on canvas board, framed

Please save the date to take this opportunity to buy beautiful, outstanding art whilst raising money for the Rural Refugee Network.
33 artists are showing their work and 33% of the sale price from every piece sold goes directly to the Rural Refugee Network (RRN) Charity Number 1165796

National Portrait Gallery & British Wildlife Artist winners alongside local artists are showing their work.
Paintings along with beautiful screen prints, illustrations and sculptures will be shown.
Prices range from £50 - £10,000

Th event is hosted by Frances Hogan, Emma Thistleton and Antonia Kimbell

Contact:     enquiries@ruralrefugeenetwork.org
Facebook:    www.facebook.com/groups/981687705221594/
Twitter:     @ruralrefugee
Picture
Blueprint Series - The Pantheon, Rome; Acrylic on canvas board, framed; 75 x 45 cm (unframed size)
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    Rose Long is an artist and architect. She practiced as an architect since the early 1980's for over 35 years. She has increasingly concentrated on painting and design.
    She paints in oils and acrylic. 
    She was brought up in South Africa and has lived in London in the UK since the mid 1980's.  

    Rose paints in collaboration with two partners – Water and Gravity.

    The elements of chance and complex variability, that these introduce, allow her work to become an interplay of intention and the often unexpected result of the laws of physics.

    Using this technique, she explores the character and emotion behind the façade of her subjects, be they human or otherwise.

    These subjects sit in an energetic atmosphere comprising of light and shadow in space. Her chosen palette is often limited, using the varied tones in one hue. Combinations of complementary colours to achieve greys are added and then washed away. The Golden Mean and the Fibonacci integer sequence, ratios that are very pleasing to the eye, are frequently used in the composition, canvas size and placement of subject matter. Patterns emerge in the work and marks are made with varying intensity, revealing an aspect of the mood and a version of the underlying reality of the situation.

    The progression in her work is evolutionary, not radical. Each piece informs the next in technique and expression. The pieces are becoming more allegorical.

    Using the medium of paint feels as compulsive and empowering for Rose now as learning to read was for her as a child.

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