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I'm exhibiting at the Wimbledon Art Fair from 10th to 13th May

20/4/2018

You are warmly invited to an exhibition of my abstract paintings
at the
Wimbledon Art Fair
Thursday 10th to Sunday 13th May 2018
Thursday 10th & Friday 11th May - 2pm to 10pm
Saturday 12th and Sunday 13th May - 11am to 6pm

Free Entry
Complimentary bar and live music on Thursday opening evening from 6:30pm to 10pm

Studio 302, 1st Floor, Blue Building
Wimbledon Art Studios
10 Riverside Yard, Riverside Road
London, SW17 0BB

Email: rose@RoseLong.com

HOW TO GET TO WIMBLEDON ART STUDIOS 10 RIVERSIDE ROAD, LONDON, SW17 0BB
• By Rail: Earlsfield Station
• By Tube: Tooting Broadway
• By Bus: The 44 / 77 / 270 buses run along Garratt Lane, between Tooting Broadway and Earlsfield stations. Alight at Summerstown near the Esso Petrol Station.
The 493 can be taken from Wimbledon Railway Station. Alight at Wimbledon Stadium.
• By car: there is limited parking available, so please use public transport whenever possible.
• Thurs & Fri:
No parking in the Greyhound Stadium due to ongoing development.
There are usually parking options on Maskell Road which is just off St Martin’s Way.
• Sat & Sun: Visitors can park around the business estate. There will be parking attendants available to help.
• Disabled Parking: Approximately four spaces are available outside of the Marquee for disabled visitors and young families.

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Rose Long is an artist and architect. She practiced as an architect since the early 1980's for over 35 years. She has increasingly concentrated on painting and design.
She paints in oils and acrylic. She was brought up in South Africa and has lived in London in the UK since the mid 1980's.

Rose paints in collaboration with two partners – Water and Gravity.

The elements of chance and complex variability, that these introduce, allow her work to become an interplay of intention and the often unexpected result of the laws of physics.

Using this technique, she explores the character and emotion behind the façade of her subjects, be they human or otherwise.

These subjects sit in an energetic atmosphere comprising of light and shadow in space. Her chosen palette is often limited, using the varied tones in one hue. Combinations of complementary colours to achieve greys are added and then washed away. The Golden Mean and the Fibonacci integer sequence, ratios that are very pleasing to the eye, are frequently used in the composition, canvas size and placement of subject matter. Patterns emerge in the work and marks are made with varying intensity, revealing an aspect of the mood and a version of the underlying reality of the situation.

The progression in her work is evolutionary, not radical. Each piece informs the next in technique and expression. The pieces are becoming more allegorical.

Using the medium of paint feels as compulsive and empowering for Rose now as learning to read was for her as a child.

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I'm exhibiting at the Wimbledon Art Fair from 10th to 13th May

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