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LATEST NEWS

Wimbledon Art Fair 14th to 17th May 2026

18/4/2026

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Unique Art Event

The Wimbledon Art Fair is back from 14th to 17th May 2026.
I am delighted to be showing my new Stripes series of work together with some existing pieces.
I will be in Studio 135 in the Yellow Block on the 1st Floor.
180 artists will open their studios during this amazing 4 day event.
  • Free entry
  • Thursday 14th May 2pm to 9pm - Live music and free drinks from 6pm in the marquee
  • Friday 15th May 11am to 6pm
  • Saturday 16th May 11am to 6pm
  • Sunday 17th May 11am to 6pm

Wimbledon Art Studios, London, SW17 0BB 

Please have a look at my website for more details of my art work.
RoseLong.com
Warm regards
Rose 🌹


PS. And don’t forget to look at our updated lifestyle online store for some great new ideas and homeware and fashion collections.
LongStudioDesign.com
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Shifting Horizons Art Show 7th to 21st May 2026

16/4/2026

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I am taking part in a group art exhibition curated by Art Mother London at 7 Denbigh Street, Pimlico, London SW1V 2HF. 7th to 21st May 2026.
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Tower Bridge; 90 x 120cm; Acrylic on linen
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Stripes Renaissance White Gold;
50 x 50cm; Oil on canvas
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    Picture

    Author

    Rose Long is an artist and architect. She practiced as an architect from the early 1980's for over 37 years. She has increasingly concentrated on painting and design.
    She paints in oils and acrylic. 
    She was brought up in South Africa and has lived in London in the UK since the mid 1980's.  

    Rose paints in collaboration with two partners – Water and Gravity.

    The elements of chance and complex variability, that these introduce, allow her work to become an interplay of intention and the often unexpected result of the laws of physics.

    Using this technique, she explores the character and emotion behind the façade of her subjects, be they human or otherwise.

    These subjects sit in an energetic atmosphere comprising of light and shadow in space. Her chosen palette is often limited, using the varied tones in one hue. Combinations of complementary colours to achieve greys are added and then washed away. The Golden Mean and the Fibonacci integer sequence, ratios that are very pleasing to the eye, are frequently used in the composition, canvas size and placement of subject matter. Patterns emerge in the work and marks are made with varying intensity, revealing an aspect of the mood and a version of the underlying reality of the situation.

    The progression in her work is evolutionary, not radical. Each piece informs the next in technique and expression. The pieces are becoming more allegorical.

    Using the medium of paint feels as compulsive and empowering for Rose now as learning to read was for her as a child.

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